Dec
20
On Handel’s Messiah
“To him I bend the knee, for Handel was the greatest, ablest composer that ever lived.” — Ludwig von Beethoven
When George F. Handel decided to write a new oratorio (Messiah), he worked so feverishly that he rarely ate or slept, and some thought him either crazy or spellbound.
“Handel finished Part I in only six days. He finished Part II in nine days, and Part III in six days. The orchestration took him only a few days more. In other words, in all, two-and-a-half hours of the world’s most magnificent music was composed in less than twenty-five days. When he finished, he sobbed: “I think that I did see all heaven before me, and the great God Himself!”
Immediately, from its premiere in Dublin in 1742, Messiah was pronounced a masterpiece. Messiah recounts the prophecies of Christ and his triumphant birth, utilizing an amazing amount of Scripture including passages like, “For unto us a child is born . . . and the government shall be upon His shoulders.” And “His name shall be called Wonderful, Counselor, the Mighty God . . . the Prince of Peace.” In fact, Messiah pulls from the Psalms, Job, Isaiah, Lamentations, Haggai, Malachi, Zechariah, Matthew, Luke, John, Romans, 1 Corinthians, Hebrews, and Revelation.
At its London premiere, King George was so moved by the “Hallelujah Chorus” that he spontaneously rose from his seat. The entire audience followed his example and, for the past 250-plus years, audiences have continued to do the same.”
Read the full article by John Stonestreet and Roberto Rivera, or the original commentary by Chuck Colson.
